Special Easter Egg Found on Muni
With the celebration of the zombification resurrection only a few days off, Little Bird of Prey found this special happy Easter egg on the bus. It’s oregano, right? WTF, indeed.
Your place to share stories on and off the bus.
With the celebration of the zombification resurrection only a few days off, Little Bird of Prey found this special happy Easter egg on the bus. It’s oregano, right? WTF, indeed.
Aren’t you a little tall for a Jawa?
Via @brhau. Of course, this isn’t the first Star Wars character to be spotted on the slowest-moving vehicles in the galaxy. Who can forget the Ewok or Obi-Wan?
Image: ODC Theater in San Francisco
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Muni as art: New opera starts at a San Francisco bus stop.
Really? Yep: it’s called, fittingly, LOVE/HATE. Billed as a modern love story, the show is presented in association with the San Francisco Opera Center. It premiers at the ODC Theater in San Francisco on April 12, 14, and 15.
According to Marina Boudart Harris, in a blog post from Backstage at San Francisco Opera:
The bus stop. It’s a place I often find myself spending time as an Adler Fellow. I currently live in the Inner Richmond area, which is a good forty minutes from the opera house, but you can’t beat the rent or the myriad of multicultural cuisine just steps from your door. Every morning, I wait for the 38 bus with my fellow passengers in silence, and it never ceases to shock me when someone speaks to me. “How strange!” I think to myself, and wonder what it is about me or my demeanor that invites conversation. What gives people the courage to strike up a chat? Such is the subject matter of LOVE/HATE, a modern love story about two people who meet at…you guessed it…the bus stop. And just as life imitates art, art often imitates life.
Interesting subject matter, indeed. For more info and to purchase tickets, visit the ODC Theater website. And send us your own stories about real-life stuff happening on Muni.
Josiah just sent this dispatch: “Cuervo Silver & San Pellegrino on the 33-Stanyan.” Hmmm, never tried that.
“Late in the day on Sunday at the F-line terminal at Castro, a Janet Jackson flash mob happened. They blocked the tracks for several minutes, but didn’t cause an undue delay.”
Call it worlds colliding: one of the flash mob dancers was Bryan Goebel, founding editor of Streetsblog SF! So what’s it like to dance in public to Janet’s famous moves? From Bryan:
One of the best experiences of my life (really!) was taking the Rhythm Nation dance class (my first dance class ever!) and then participating in the flash mob Sunday. Even though the choreography was simplified so that more people of all ages and abilities could take part, the classes — which started in January and ended last week — were still grueling for me. Yet, I stuck with it twice a week for three months because everyone was fun and supportive, and the teachers, Julien Rey and Leah Ferrer, were so passionate.
A very talented jewelry designer in the class, Emiko Oye, made our shiny BAFM hat and jacket emblems that stand for Bay Area Flash Mob (in place of Janet Jackson’s 1814 emblems), and we were told to wear all black or resemble, as best we could, Janet Jackson’s outfit in the Rhythm Nation video. Some people who didn’t get a chance to learn the whole dance but wanted to be in the flash mob were invited to learn the last 30 seconds, either in class or through the online tutorial videos, so there could be a growing effect at the end.
The plan was to look like a SWAT team, or security guards, and remain in character before the dance at each location. It was pretty amazing to discover how many people out there recognized our Rhythm Nation outfits, and were pleasantly surprised to see us perform the dance. There were also lots of people who asked, “What is this?” It was so thrilling to see those looks of curiosity turn into smiles, followed by applause. The crowds at the Ferry Building, Union Square, UN Plaza and the Castro plaza seemed to love it.
I certainly never thought I’d be learning this famous choreography, and I’m not the best at it, but I did it to my ability and it felt so good. By the way, we performed in Jane Warner Plaza but the organizers were very careful not to delay the historic streetcars. We managed to fit our performance in between headways.
Or, 1956 vs. 1972. Bummer, that. Shared to our Flickr pool by returnoftheyeti.