Help Choose New BART Seats Today

bart seat
Photo by Damian Kennedy

SF Appeal alerts us to this happening at SF State today. If you can make it, this should be: BART is letting the public help to choose the next generation of seats for its commuter trains. Let’s just hope there’s not a collective call for more bacteria- and virus-infected cloth seats, okay?

Details
BART’s second “Seat Lab”
Today from 10 a.m.-2 p.m.
SF State, in the Cesar Chavez Student Center Lobby, 1600 Holloway Ave.
Muni routes serving the area: M-Ocean View, 28-19th Avenue, 29-Sunset

Of elevation, excretion, and security on BART

only 3 people please

BART rider Devin heard a voice. Here’s his story:

I passed through Embarcadero station on my way home a few months ago. Got to see the taillights of the train I’d wanted, so I had about ten minutes to kill, and started to do a slow lap of the platform. Part way down the station attendant got on the PA, somewhat brusquely asking “the person in the elevator” to “vacate the elevator immediately.” Somehow these same-station announcements are always jarring. They lack the lumbering, easily ignored and anyway largely inaudible cadence of the BART control center’s own mumbled platitudes. I was also surprised by the inference that anyone in the elevator cold hear the PA to begin with — but perhaps it’s there for just these sort of occasions. Whomever “the person in the elevator” was, they had evidently vacated it by the time I got past the platform elevator, leaving a fresh pair of wheelchair tire tracks in wet liquid.

You can probably see where this is going. After September 11th, BART’s contribution to our collective safety was to close all the toilets in underground stations — which is to say, all the toilets in downtown San Francisco, Oakland, Berkeley, etc. It’s a fine piece of security theater, an ineffective defense aimed at one particular avenue of imagined attack and serving mainly to annoy and inconvenience everyone else. Though BART denies it publicly, there was probably a budget-conservation motive also — those restrooms can’t have been easy to maintain.

In any event, with the toilets locked, some of their traffic duly shifted to the elevators. It’s a practical choice — BART’s hydraulic elevators are so slow as to provide ample time. You won’t get attacked, and you’ll have some degree of privacy. They’re also mostly ADA compliant, with grab rails and adequate room to maneuver. If you’re homeless and in a wheelchair, and the alternative is paying money you can’t afford for a street-level pay toilet (which presents its own issues), it makes a degree of sense from your point of view.

What makes less sense is keeping the toilets locked, given that doing so doesn’t provide any security and the cost savings is going into cleaning elevators. BART’s elevators were pretty bad even before this; now they’re significantly worse, extra janitorial attention or not. That in turn means that everyone who’s able to avoid them does so, leaving them even more available for alternate uses.

One person who wasn’t able to avoid them was the woman waiting up on the concourse level (along with the station’s janitor, mop and bucket in hand) for that same elevator. She was in a wheelchair too, and had presumably been obliged to get the station management to roust the offender out of there. Then she had to wait while the elevator was cleaned out enough for her own trip down, missing at least a couple of trains in both directions.

Security’s a tricky thing. It’s harder than it sounds. It’s especially hard when you don’t review your own choices to judge their effectiveness and side effects. Reopen the bathrooms, BART. This particular strategy was a bad idea in 2001 and it’s still a bad idea now.

What do you think? Should BART open its restrooms in underground stations?

Photo Diary: Documenting BART Musicians

Peter Taylor started a project called BART Musicians a little over a year ago as part of a black and white darkroom class at Rayko Gallery, but the project has since grown to include incredibly compelling photographs of musicians who add to the soundtrack of our daily commute.

From Peter:

I though it would give me an interesting subject matter and allow me to grow as a portraitist. I thought I’d find a lot of the older, rougher, gnarled faces that i love to photograph and that was about it.

As i got further and further into the project, i became friends with a number of the musicians, realised that the reasons they are there, the types of music and walks of life they come from are all very diverse. Far more diverse than i’d expected. Some are homeless, trying to get money to get off the streets, and offer people something valueable in exchange for their donation. Some are students, just practicing in front of an audience, some are career musicians who don’t have day jobs, and use it to make ends meet between shows, and some are trying to spread a gospel of some sort.

The New York Times has just written about the city’s subway musicians, most of them aren’t known by name, but the most notable woman musician is actually actress Gabourey Sidibe’s mother. In San Francisco, some of the musicians are riders’ favorites, like a bluegrass duo at Montgomery Street Station that our Twitter followers have made inquiries about.

Peter identified some of the musicians but not all. If you have a clip of these musicians or know them, let us know. Meanwhile, here are more of Peter’s amazing portraits of BART musicians.

 

Check out the BART Musicians website to see more portraits of musicians at Muni/BART stations and help him identify more of the musicians he’s photographed.

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